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The best example of Green’s interest in the bigger picture of recovery is a moment of clinical care that other directors might not think to include: the first changing of Bauman’s bandages. The biopic tugs on the heartstrings not by exaggerating Bauman’s anguish, but by emphasizing the sheer collaborative effort it took to keep him alive and get him healthy. Green, who emerged as a director making small-scale indie dramas such as George Washington and All the Real Girls, returns to the naturalism of his earlier work with Stronger.
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Viewers also meet Kevin, Bauman’s boss at Costco, who announces that the company’s insurance will cover all his medical expenses.īut even more essential to the movie is the way Green focuses on the hospital workers, many of whom are played by the medical staff who treated the real-life Bauman.
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Their efforts aren’t always helpful: There’s Bauman’s immediate family, prone to yelling at each other in the best of times his drinking buddies, full of gumption but lacking in tact his shellshocked ex-girlfriend Erin Hurley (Tatiana Maslany), who had been running in the marathon (Bauman had showed up in the crowd to try to impress her and win her back). Throughout Stronger, which dramatizes its subject’s inspiring recovery after the bombing, Green trains his camera on the people who make up Bauman’s support system. In doing so, he’s conveying everything the audience needs to know through another person’s empathetic reaction, rather than through the more distressing sight of Bauman’s wounded body.
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As Bauman’s mother Patty (Miranda Richardson) comes into the hospital and sees her son for the first time, the director David Gordon Green holds on her heartbreaking stare for as long as possible. They’ve been amputated above the knee, his parents are told, because of the damage he sustained in the 2013 Boston Marathon bombing, a terror attack that killed three and injured hundreds of others. (Read our previous entries here.)īy 10 minutes into Stronger, Jeff Bauman’s (Jake Gyllenhaal) legs are gone. Next up is David Gordon Green’s Stronger. Over the next month, The Atlantic’s “And, Scene” series will delve into some of the most interesting films of the year by examining a single, noteworthy moment and unpacking what it says about 2017.